One or more of my publications have been cited by other authors in the following publications:
Ciszak, T., & Josel, S. F. (2020). Of neon light: Multiphonic aggregates on the electric guitar.Tempo 74(291), 25–49. http://www.doi.org/10.1017/S0040298219000962. p. 26
Fallowfield, E. (2020). Cello multiphonics: Technical and other musical parameters.Tempo 74(291), pp. 51-69. http://www.doi.org/10.1017/S0040298219000974. p. 58
Josel, S. F., & Tsao, M. (2014). The techniques of guitar playing. Kassel: Bärenreiter.
Haukka, A. (2016). Fernando Sorin (1778–1839) kitarafantasiat yhdelle soittajalle: Semioottisia analyysejä. (Master's dissertation). University of Helsinki. HELDA – Digital Repository of the University of Helsinki. http://hdl.handle.net/10138/174355
Kubilay, I. A., Vesilkkala, J. T., Pàmies-Vilà, M., Kuusi, T., & Välimäki, V. (2015). High-speed line-scan camera measurements of piano string multiphonics. Proceedings of the 22nd International Congress on Sound and Vibration.
Martins, J. D. L., & Simões, R. C. (2020). A Produção de Conhecimento sobre Violão em Dois Eventos Nacionais (2007-2018). Revista Vórtex, 8(3), 1-34. http://www.doi.org/10.33871/23179937.2020.8.3.1.29. p. 13
Pantoja, A. (2023). A survey of extended techniques in the Chilean guitar repertoire from 1980 to the present (Publication No. 30635761) [Doctoral thesis, University of Arizona]. Pro Quest, p. 28.
Pazieczny, M. (2016). The duality of the composer-performer. (Doctoral thesis). University of Surrey. Available from Surrey Research Insight.
Scarduelli, F., & Ribeiro, F. (2016). Criação musical colaborativa: O processo de escrita e performance de Melancoli[r]a para violão solo. In Proceedings of XXVI Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música.
https://anppom.org.br/anais/anaiscongresso_anppom_2016/4193/public/4193-14361-1-PB.pdf
Schneider, J. (2015). The Contemporary Guitar (Rev. and enlarged ed.). Lanham, MD: Rowman & Littlefield
Vesikkala, J. T. (2016). Multiphonics of the Grand Piano: Timbral Composition and Performance with Flageolets. (Master's dissertation). Sibelius Academy. Sibelius Academy Theses Database. https://urn.fi/URN:NBN:fi-fe2018050923865
Vishnick, M. L. (2014). A Survey of extended techniques on the classical six-string guitar with appended studies in new morphological notation, Vol. 2. (Doctoral thesis). City University of London. City Research Online. https://openaccess.city.ac.uk/id/eprint/4164
Vishnick, M. L. (2015). Sculpting sound on the classical six-string guitar, Vol. 2. CreateSpace Independent Publishing Platform.